Methods for
Social Studies
How
Do I Keep My Ideals and Still Teach?
PAGE 2
Interest and Integrity
First, get their attention, and develop a why to learn. Then,
keep
your promises, be what you say you are. You may remember the Seuss
story,
the "Sneetches," about Sylvester McBean, the scamster who sold star- on
and star-off patches to the Sneetches. If you do not remember the
story,
drop this and go read it. McBean was good at getting the Sneetches
attention,
and selling them a why to behave, but he was a dirtball, had
no
integrity, and finally the Sneetches figured him out. Kids are probably
quicker than Sneetches in discovering whether or not you are authentic.
They will test you until they decide they love you. Then they will
forgive
you.
This is not a solely student-centered approach. This approach
recognizes
the intersection of student abilities and interests with the
educators’,
and with the resources of the community where they reside.
It's About Time!
Time is a precious commodity in school, and someone else is always
trying
to steal yours. It is a social studies method to try to expand your
available
time-for yourself and for your individual kids. This means fighting for
lower class size, against more bureaucratic paperwork, for aides and
parental
involvement to assist in the classroom. It also means fighting to have
more time to reflect on what you're doing during the working day, and
more
time to pursue your own intellectual interests outside your teaching
situation.
That might include struggling for free university tuition, paid
sabbatical
leaves every five years, a shorter working day, longer vacations, and
so
on.
Inside the school, time is also a critical issue. How will the
kids'
time be consumed? How much free time will they have, considering that
there
is a direct link between freedom and discipline? How much time will you
waste if you are not given a phone, a bathroom, a laboratory, and a
computer/library
available at all times to every kid in the class? Resolutions to all of
that is a social studies method.
I Search Papers (also from Ken
Macrorie)
Here is a link that over-explains Macrorie's idea that you start with
something
the student is interested in, and have the student research it. http://www.edc.org/FSC/MIH/i-search.html
The History Wars
Historians are deeply divided. Some of them see history as a product of
great men (sic). Some historians see history as a struggle to reach
God,
the divine, and they will do a good deal of work trying to determine
what
God is telling them. Others see history as a struggle for consensus,
especially
in the US. That means that all of history is a high-point of the
creation
of general agreement. These people would focus on consensus builders,
Lyndon
Johnson before his presidency for example Others see history as the
history
of class struggle. These historians will focus on the working classes
and
their representatives, often communists. E.P. Thompson and W.E.B.
Dubois
were leaders in this school of history.
Kids can understand this. They can take up a school of history
as their
own and struggle for its outlook in discussions and debates about how
things
work, which always lead to questions about what is next-and what to do.
All of history is an interpretation of the past, through a standpoint
in
the present, that is imbedded with a call for action in the future.
Class Council
Set up an internal class council to decide things that are important
-and
things that are not. "What shall we choose to learn? How shall we go
about
learning this? Who shall be in charge of distributing papers today? How
shall we resolve disputes? What shall we take from our class to present
to the rest of the school?"
Room Title
Other teachers love this, and so do some kids. If you do, do it. I
don't.
Have the kids decide the name of your classroom. I have seen everything
from BattleBotKids to Utopia. What influence does a name have over what
a thing, or a person, is?
Dub the Room
Other teachers love this, and so do some kids. If you do, do it. I
don’t.
Have the kids decide the name of your classroom. I have seen everything
from BattleBotKids to Utopia. What influence does a name have over what
a thing, or a person, is? Too often, I see rooms named the Deadly
Mantis
Hurricanes, and too infrequently, The Dancing Cuckoos.
Power Symbol to the Speaker
This is a nice move when discussion is good and passions are high.
Simply
create a power symbol (probably something that is not threatening, not
stick) that is the sign that the holder is the speaker, and the only
speaker.
The speaker, at the close of the comment, passes the symbol to someone
else.
Undoing the Fear of Freedom
Even after a few months of kindergarten, many children have learned to
be unfree, to fear freedom, to oppose the risks PF exploration and a
struggle
for meaning. Your task is therefore often at least two-fold, to undo
this
fear, and to point the way toward a more free way of doing things. How
do we spot the fear of freedom? In little kids, we see children who are
afraid to write because they have been taught that the only good
writing
is writing that is spelled correctly: a little first grade girl who
will
not write the word, “music,” which she wants to write about, and
instead
writes, “zoo,” because she knows how to spell it. In college students,
we often hear, “Just tell me what to do and I will do it.” Both
students
are quite sure they are doing the right thing because this is what they
have been taught. It’s a slave mentality, a consciousness that is
constructed,
entirely, from the outside, usually from dominance, elites.
With standardized curricula and tests, this fear is ratcheted
up with
external rewards and punishment. In Michigan, for example, the state
test,
the MEAP, is administered by the Treasury Department, and rewards are
offered
to kids who take it, financial punishment meted out to schools with low
participation. The Detroit Free Press suggests that the way to prepare
for the tests is to play “How to Become a Millionaire” with the kids. http://freep.com/news/education/meap20_20010120.htm
So, with the double problem, the fear of freedom, and
the kids
belief that this fear is really academic rigor, there is a good deal to
be undone. Much of this little book is about how to do that. However,
one
pattern is clearly useful: to engage a particular subject that is
routinely
ignored, or falsified, a subject that has some interest to the kids,
and
take it apart. In my experience, this can begin nearly anywhere but the
ignorance that is promoted about Vietnam, (http://www.richgibson.com/HoChiMinh.htm)
fascism, (http://www.richgibson.com/teachingholocaust.htm)
and methods of analysis
(http://www.richgibson.com/scedialectical4.htm)
have proved out well. In earlier grades, trickster
tales (described below) are a nice place to begin.
Beyond subject area entry points, it is key to maintain
freedom of expression
in the classroom, meaning the freedom to say nearly anything that does
not demonstrate contempt for the people in the room, and to say that
anything
without fear of retribution (grades, etc.) In the absence of this
freedom,
and the trust it produces, the others all fall apart. They will not
tell
you they are not free unless they feel free to say it. If you don’t
know
about it, how will you deal with it? Your task is to change people, not
to let your ego become so fragile that you cannot allow the routes ino
their minds be exposed. Specifically, it is one thing to allow a
theoretical discussion about racism in a classroom to progress to the
point
where some students are expressing clearly racist views. It is another
thing to allow those racist views to be directed to people in the room,
to be used to destroy their freedom. You must know who in you class
hold
fearful (racist) ideas, yet you must not allow those ideas to go into
effect.
Teaching is not for the faint-hearted.
The Mute Flute
A Detroit teacher whipped this out when I visited her class, which was
slowly dissolving into a heated but unproductive debate as everyone
joined
in. Rather than switch off the lights, or clap a Bo Diddley beat to
which
kids are expected to respond with a quick clap-clap, she mimed a silent
flute, and as she moved around the room, not playing it but miming its
sounds, the kids joined in, until the silence allowed more organized
debates.
Political Cartoons
First bring some cartoons to class. Then let the kids make their own.
Some
of these become really delightful. A cartoon does not have to be just
one
page, but can become an entire book. See, for example the cartoon books
of the "For Beginners," series, like "Marx for Beginners." Or, "The
Incredible
Rocky." Cartoons can be silent graphics too. See the IWW poster on my
www
page. For examples of terrific work by kids, see the Zino Press
book, Editorial
Cartoons by Kids 1999. http://www.zinopress.com
Heroes Schmeroes Sez Me
Have your class make a list of heroes (or two lists; one of the most
important
people, the other of the most famous.) Then take count of how many men,
how many women, how many people of color, how many people of the
working
class. Consider how quickly a hero can be wiped out, like Paul Robeson,
one of the most famous people in the world in the 1940's. Or consider
Joe
Stalin and Fidel Castro, both once Time men of the Year. Consider the
chances
of becoming a hero on the landscape today, if you are born on a small
Carribean
island for example, or in west Africa. Would a person who worked in a
iron
foundry for thirty years, to put children through school, be a hero?
Then
unpack what values we use to decide who a hero is. Are these values
that
serve most people, or values imposed by dominance to prop up unjust
rule?
Why do we think we need heros? Is John Brown heroic? Ho Chi Minh? For
me,
the search for heroes is not terribly enlightening. I believe that what
is heroic is the processes of knowledge that billions of people have
sacrificed
to discover over centuries. The notion of heroes, to me, suggests that
some people are simply vastly better than the rest of us-and then we
are
appalled when we find out they are not: Jefferson raping his slave for
example. Moreover, creating heroes usually obliterates people who are
not
in the immediate gaze of the powerful.
Ho Chi Minh |
|
Photo or Video Essays
There are many kinds of literacies. Some kids who do not read or write
well can be engaged by the possibilities of video/photo essays, which
require
the same skills. A video map of the geography of the playground
described
below might be very interesting.
The Art (Music, Dance, Film, etc.)
Detective
This is fun. Grab a piece of art, say, something by Hieronymous
Bosch, like the Garden of Earthly Delight (click
on image
for larger view). Have the kids investigate the work in
detective
fashion. What society would have created this? What would work be like
in this society? What about literature? What era does this fit into?
Why?
What are the clues that you are using as evidence? What kind of
medication
would be prescribed for Bosch today?
Art is never separate from its social context, although some
artists
do seem to be able to vault forward in time, signaling what is to come,
often in foreboding terms. See the passage in Bosch above.
Grow Stuff and Eat It
Lifetime radical Grace Boggs of Detroit has been instrumental in
creating
a project called Detroit Summer, an effort to unite education workers
with
students, community people, parents, grand-parents, nursing home
captives–the
entire community, in a struggle to not simply collectively grow gardens
in the midst of urban collapse, but to create the educational community
that grows along with the vegetables. Detroit summer addresses a myriad
of social problems, positively, by investigating the sciences of city
farming,
and uniting a community that has been divided by age, race,
ability/disability.
The gardening brings together theory and practice, nature and labor,
and
people who have been segmented, to their own detriment. For example,
seniors
in the community meet and lead youth, who the seniors often feared.
Youth
learn to take the space in their communities, and use it creatively.
And
everyone shares the produce, thus meeting the old teachers maxim: when
in doubt–feed em. http://www.detroitsummer.org/
Mrs Sutfin’s Immortal Class
In a state that can go unnamed, one Henrietta Sutfin came to teach a
second-grade
class in early November. The 43 kids had already gone through three
teachers,
each of them a burnout. The last I had heard, the kids were refusing to
read and no one had time to go see if they could. I came to know Mrs
Sutfin
early in her career, when she was well over fifty. She was a grandmom,
returned to teaching after raising more kids than I can remember. I was
her grievance representative. She never lost.
Mrs Sutfin greeted her small mob on her first day with a sense
of cheer,
joy, and firmness that comes with having dealt with dozens of great
child
tragedies and curiosities, and challenges. She took pictures of the
kids
and when I came to her classroom, she had a poster of the children in
several
poses. The two I remember, “We can be silly!,” with the children’s
faces
contorted in an endless variety of parental horrors, and, “We can be
serious,”
with every child peering steadily into a book.
I was visiting Mrs Sutfin that day just to say “Hi,” to a new
colleague.
As I walked down the hall toward her room, another teacher began to
pass
me by, going in the other direction, trailed by her classroom of
probably
35 fourth graders, all in a neat line, each just more than an arm’s
length
behind the next, all with both hands clasped behind their heads. She
led
the line, then stepped aside as the group was about to pass me, and
whispered
proudly, “Takes a month to get ‘em like this!” As she turned toward me,
away from the kids, one little girl, the third in the line, burst out
of
position and began to dance, not march, down the hall. Every other
child
remained in line, hands behind heads. By the time the teacher turned
back
to her minions, the little girl was back in line, uncaught.
Mrs Sutfin was reprimanded later in the day–for allowing her
class to
go to lunch without forming a good line, without being sure that the
children
could not touch each other. She called me and I stopped back the
following
day, just around lunchtime.
Mrs Sutfin’s kids were marching, well, high-stepping, down the
hall,
in near-perfect line, each child with the fingers on each hand clasping
one of their own ears, and pulling. Every kid had a tongue out, and
every
kid was in full glory of making their most ever-so-wicked face. In a
day,
Mrs Sutfin’s gang became a class. No one ever tried to discipline her
again.
They started to read.
Antennas Up! The Author's Chair
Henry Miller, not a kids' author, was once asked how he wrote. "I just
put up my antenna and I write what comes through." Many writers talk
about
similar experiences. Every kid is an author. Every kid is an audience.
Ann Henry, a longtime Detroit educator, put that all together and came
up with an Author's Chair, one higher than all the rest, from which the
child writers could declaim. She told her fifth graders Miller's story,
but as I remember it she changed his name. When it came time for a
reading,
the shout went, "Antennas up!" Then quiet settled in as the author
proudly
set out on her writing, in full voice.
Enablers
Ken Macrorie, in his book Twenty Teachers, lists 45 characteristics of
people, enablers, who teach well (p.231). Here I will paraphrase
XXX that stood out for me. Enablers....
1. Get people doing good work that counts for them
and the
people they care about.
2. Work along with the learners, and make their work public.
3. Aim high.
4. Don’t tediously lecture or give conventional tests, but set up
dialogues
that link experience and theory, practice and research, understanding
that
learning can build on failures as well as success.
5. Build on imaginative work through storytelling.
6. Urge people to become creators of their own research, responsibly,
so the become finders as well as receivers in seeing the connections,
the
relationships, of (for example) emotion and reason, the particular and
the general, playfulness and planning, the individual and the
group.
7. Are never cruel, yet rarely praise excessively, while they offer
time to complete the work through polishing, reflection, and
reexamination.
8. Link classroom practice with the world outside.
9. Create communities where peers can profit from and build on the
work of peers, using grades, if at all, in ways that least interfere
with
the intrinsic desire to learn.
10. Never deny learners their lives, and let them go when the time
has come.
I have always found the kindness that forms the skeleton of Macrorie’s
work to be valuable. I hope you will find time to review his
books.
The Real Map and Standpoint
What should a map really look like. There are several maps which seek
to
reestablish how we see the world, some by demonstrating the true size
of
nations, others showing the topography without boundaries, others
showing
the entire world in a triptych. Have the kids make a map, but suggest
that
their view point is a small island in the southern hemisphere. Which
way
will be up?
Newspapers or Newscasts about an
Area of
Study
My favorite of this is a "Coal Miners Journal" done by a teacher in the
Copper Country in the Upper Peninsula of Michigan. The kid-written
paper
reported on every imaginable aspect of life there in the 1890's. Women
wrote their stories, men wrote of the mines and their work.
Beginning Wherever and Webbing
All things are interrelated, including all historical events. It really
doesn't matter where you begin, so you may as well begin at the point
of
the student's interest, your interest, or the interest you create in
the
students. For example, you could start a history web with the Tyson
Bites
the Ear Fight in 1997. All of history came to that point and met
itself.
The fighters, two young black men, earning millions in exchange for a
punchy
future, squared off in a ring. On the floor of the ring is written,
"Gold."
The audience is truly multi-cultural, as the rich are these days. On
one
arm, Tyson has a tattoo of Mao. On the other arm, Arthur Ashe. Tyson
claims
to be a Muslim. His opponent is a devoted Christian. The ring referee
is
a real Nevada judge, who now has his own TV show. The state is
represented
in the ring by white sheriffs who invade the ring after Tyson is
disqualified.
Tyson, already a convicted felon, hits a cop, but nothing happens. Ah,
the power of money. An auto worker who did much less than that in
October
2000 in Detroit, is dead, shot by the Detroit Police when he did
not hear them order him to drop a rake he was using to clean his yard.
He was deaf. An auto worker who did much less than that in
October
2000 in Detroit, is dead. The sole representation of a woman in the
ring
is a bathing suited round-number carrier who, in the midst of a near
riot
in the ring as the fight ends, walks through the crowd with her number
held high-and the crowd parts like the Red Sea. A web into all of
history
could start with the video of this fight, or any other moment that
captures
your attention.
Webbing is easy. Start with a central issue that offers
interest and
motivation. This can be drawn with a central circle with many spokes.
Then
allow students to pick related subjects which may reveal something new
or interesting about the initial issue. In the Tyson fight case for
example,
someone might do a biography of Arthur Ashe. Someone else might do Mao,
etc. Arrange for regular research reports so students can keep their
eyes
on the commonality of knowledge as it develops.
Quicky Theater
Tell the kids that they are going to do a quicky (guerrilla) theater
presentation.
They have three to five minutes to get a few key points across. Say
they
want to go to a shopping center to urge people to boycott smoking, but
they know the center will remove them very quickly. They need to
discover
a way to get attention fast, to make their point graphic, to use their
bodies to get the point across, etc. See the book on the IWW, "Rebel
Voices,
an Anthology," for some good examples. Skip Chilcoate has also done
important
work on this. See the indexes of the magazine, "Social Education, "
linked
to the National Council of the Social Studies on my www page. http://www.richgibson.com/other.htm.
Dialectical Scientific Evidence
Social studies research is partisan. Some authors will insist the will
of God is the determining force in social movements. Hence, faith is
good
evidence for them. Others say that things change in precise, lock step
fashion, one piece of history leading to the next, in mechanized
fashion.
Still others say that nothing really changes. For me, history is a
spiral,
perhaps crossing back over itself from time to time, but never
reproducing
anything quite the way it was before. Things do change, but change is
complex.
You need to know where you stand on this debate. Here is a little chart
that may help: http://www.richgibson.com/scedialectical4.htm
Play APBA, Make History
APBA is not an acronym. It is the sole name of a statistically accurate
baseball game. It uses data from real ballclubs throughout history,
real
players, etc. It can be played with dice, or online-at a price. Old
games
like this are all over garage sales, not hard to find. Sports are a
good
way into the social studies. Consider the Black Sox scandals as a study
of injustice. Kennesaw Mountain Landis, once the commissioner of
baseball,
was deeply involved in politics and, as a judge, oversaw the first
major
anti-trust suit against Rockefeller's Standard Oil (Rockefeller was so
boring, Landis could not pay attention). Jim Bouton's, "Ball Four,"
nearly
inverted the baseball world. Ty Cobb was a despicable racist. Sadaharu
Oh may have been Japan's greatest players and wrote one of the greatest
books on the game. Here is a link to an unsung hero, Curt Flood: http://afgen.com/curt_flood.html.
Satchel Paige kept the faith alive despite incredible oppression. Hank
Greenburg was a great player, and a great man. Keeping data on an APBA
season may be the only way you will find to involve some kids in
recording
history. Why not? One good way in: the book, "Baseball Saved Us." You
can
look it up.
Taking it Personally
Have kids write about a historical event from the eyes of a person, who
they choose, who is there; a diary from a southern soldier about to go
on Picket's Charge at Gettysburg for example. This is what I see in
front
of me. This is what I feel. This is why I am here and am about to go do
what I must do. This is what I am holding, wearing, etc. This is my
fear,
and my quandary.
Mentoring the Mentors
Link with another teacher, or do multi-grade work, in which older kids
buddy through the year with younger kids, or kids who have other
skills.
The internet expands this possibility, sharing books, ideas, etc. It
takes
not long at all for kids to learn that one good way to deepen knowledge
is to teach.
Move from the Cover to the Book
Social studies is not a collection of facts or events, but a process of
research that involves many different disciplines, each of which sheds
varying kinds of light on similar events. Research in the social
studies,
and in science, is an effort to move from appearance to essence, from
superficial
understandings to deeper knowledge. Most of that movement is produced
by
an interaction of theory and practice, rebounding back on and
recreating
one another. In many US classrooms, the focus is on appearance. The
devotion
to superficiality is caused, partly, by a factory model of schooling
which
resists work in depth, concentrates on quantity rather than quality.
Let us take the study of flags for example. In many
classrooms, flags
are used unquestioningly, addressed as facts, not problems; fixed
objects
with no contentious history, not multi-dimensional symbols that mean
very
different things to different people. Take the US flag. Early
elementary
kids chant at it, hands placed for some reason on their hearts, or, in
the case of the Scouts (a problem too), in full salute. Many little
kids
have no idea what they are hooting, as Matt Grogan has humorously shown
in his wonderful cartoon book, School is Hell. "I pled a
jean-size
to the flag of de Un-seated fates of Demonica..." In other classrooms
(a
phenomena growing thankfully more rare) kids memorize flags and stick
little
pipe-cleaner flag symbols into world maps.
Consider otherwise. Here is the US flag. Now, part of this
class will
be young black men about to be drafted to go to Vietnam in 1966. Here
is
what Muhammad Ali said you should do. Another part of this class will
be
a Vietnamese woman, in Hanoi, in the same era. Another group will be
Richard
Nixon, planning a comeback, and yet another can be Henry Kissinger.
Will
they all be seeing the same flag? Now, ask the students to look up the
flag of the National Liberation Front.
The move from appearance to essence recognizes that book
covers, appearances,
are important, but insists that there is more inside to be seen and
known.
This interplay is also rooted in the idea that you will be sufficiently
open, humble, to change you mind if your theory and practice
contradict
one another.
The History of Me-and Grandma
The best video I have seen, bar none, is an eight year old girl
interviewing
her grandmother about her trip from Germany to the US in 1939. Why did
you leave Grandma? What does that word mean? Was it hard for you to
leave
your friends? Could you bring your favorite things with you? How did
you
go? I have a map; can you show me? As Linda Levstik shows in great
detail
in her fine book, Doing History, family interviews like this
show
kids their spot in the historical frame, and demonstrate that everyone
makes history. The videos, if your community has the resources for
them,
become priceless family treasures-not a bad move for a teacher. Be
aware
that there will be kids who cannot do this. Grandma may have been a
Nazi,
Dad may be dealing amphetamines. So, offer alternatives. Interview
someone,
maybe a family person, but someone. The bus driver may be just as
interesting.
Hunter Scott and the Sinking of the
Indianapolis
Study deep. That’s the ticket. Here’s a story. Hunter Scott was a sixth
grade kid living in Pensacola, Florida. In 1985 he watched the
film,
“Jaws,” with his father. In the movie, you may remember, the grizzled
shark-killer
captain reminisces about his experience on the battleship Indianapolis
in WWII in early 1945. The captain describes the sinking of his ship
and
four days of terror in the waters as survivors, under persistent shark
attack, struggled to stay afloat. Hundreds of men died.
Scott, having been assigned a history project, asked his
father if the
story was true. His father said he thought it was. So Scott placed a
small
ad in a local Navy paper, seeking to interview survivors of the
Indianapolis
tragedy.
He got one response from a survivor who not only described the
horror,
but who told Scot that the captain of the ship had been unjustly
court-martialed
for the tragedy. The allegation of the court martial, the only one of
its
kind after the war, included testimony from the captain of the Japanese
sub, who reported that the Indianapolis had not been zig-zagging. The
captain
was blamed for everything.
Then began Scot’s pursuit of the truth. After several months
of work,
Scot reached many other survivors who all told the same story. In time,
Scot learned that the captain had been scape-goated by a sizeable group
of admirals and commodores. They had not directed a zig-zag course and,
more, they were trying to protect the fact that Allied Forces had
broken
the Japanese codes. In fact, moreover, the captain had been
zig-zagging,
but as dense darkness fell, he chose to order a straight course,
suggesting
to the men on watch that they return to a jagged course when it became
light. Around midnight, clouds suddenly cleared and the watchmen on the
submarines spotted the Indianapolis and sunk it–in twelve
minutes.
But Scot found there was a deeper story still. The Indy had
been delivering
parts to the atomic bomb. When the ship was sunk, perhaps in order to
maintain
secrecy, the naval bosses knowingly turned their backs, as if the ship
did not exist, and sent no rescue. The only reason the survivors were
found
was by sheer chance, a passing reconnaissance plane. 900 men were alive
when the ship went down. Only around 300 were picked up.
The captain, wrongly convicted, was deluged with blaming
letters from
survivors’ families. He committed suicide, leaving a note, “I should
have
gone down with the ship.”
Scot pursued his action-research over years. Eventually he was
able
to gain congressional hearings which exonerated the captain. Scot was
made
an honorary survivor. Study deep. What you do counts
Here is a good link: http://www.ussindianapolis.org/main.htm
Surveys
This combines math, research, language arts, all of the social studies,
and surveys are sometimes very interesting. The National Student
Research
Center, online, has a great deal of material about this.
Nazi Hunters
Simon Wiesenthal, a Holocaust survivor, made his reputation tracking
down
Nazi war criminals, among them Adolph Eichman. Wiesenthal was initially
marganalized, seen as a crank, as were many people like him who sought
to expose the war criminals in their midst. Wiesenthal later built a
fine
reputation, based on solid action-research. He now hosts the Simon
Wiesenthal
Museum of Tolerance near Los Angeles. Thousands of Nazi war criminals
entered
the US and the West after World War 2 (see "Blowback" by Christopher
Simpson).
Some of them were caught and deported by the US Office of Special
Investigations.
Others were not.
Tracking them can be interesting. Werner Von Braun, the leader
of the
US space program was one of them. Long dead, his history is worth a
critique.
So is the history of the fascist Romanian, Valerian Trifa, deported for
being a fascist, after living for years as a bishop of the Romanian
Orthodox
Church. Even today, his followers are trying to wipe his slate clean.
See: http://www.roea.org/9701/ho00003.html
The former head of the United Nations, Kurt Waldheim, was a
wanted Nazi
war criminal. Interpol, the international police organization, was
founded
by old Nazi’s.
A young girl in Germany, in the late 1980's, decided to make
her high
school project a research into what her villagers had done during WW2.
She believed their stories, that they had done nothing to help the
Nazis,
and that fascism was imposed on them from above. Her teacher urged her
forward. The town's people called her, soon, "The Nasty Girl." A film
was
made about her travails. Now she lives in the US, driven out of her
homeland.
Similar work has been done in the US. For example, in Royal Oak,
Michigan,
a Catholic Church called the Shrine of the Little Flower, a towering
edifice
of the crucifixion, was built with money donated to the immensely
popular,
but fascist, Radio Priest, Father Charles Coughlin. "What did you do in
the war, Daddy?" is sometimes a dangerous question.
Similar questions can apply to the US Civil Rights movement.
“What did
your hometown newspaper have to say about Rosa Parks the day after she
sparked the bus boycott?” or the US invasion of Vietnam, “What did your
paper say about bombing Hanoi, or Cambodia, or the Pentagon papers?”
Of course, one has to know who and what to look for, and to
move judiciously
to avoid a witch hunt, but such is history.
Paper Dolls to Theaters
Kids create paper dolls, or entire theater sets, to reflect the lives
of
characters of the times they study. Consider that they might do not
only
the fashion setters, but working people too.
Visit the VA Hospital
One way to contribute to the community, to demonstrate to students the
results of war, and to start up what can be lifetime friendships is to
take a class to the VA hospital nearby. There usually is one. The vets
are usually pleased to meet visitors who come with appointments, and
who
have a plan. As with any out-of-school activity, this takes
preparation.
What kinds of questions would your students want to ask? How will you
defeat
voyeurism? Can some lasting connections be made? How are the vets being
treated? Would you want to make this kind of sacrifice?
Power and Geography in the Classroom
Until you have made a deal with the custodian, it is a good bet that
every
day you come to teach the chairs in your room will be in neat rows.
Everyday
you will need to think about the power of the institution in all of its
normalcy, and wonder if you want to continue to swim upstream. Every
day
you and your kids should answer: Yes. It is not the swimming that is so
hard. That just proves you are all alive. It is the remembering to swim
that is hard, remembering that your vision is different.
Sitting in groups, where all can look at all, sets up power
relationships
that are at odds with traditional transmission teaching methods (I
know,
you don't, listen to me, read the textbook, because it is on the test).
A collective geography demonstrates in concrete ways that power in your
room is shared, not necessarily equally, but more democratically. It
allows
people to use their bodies to move around, to enter areas of the room
that
might offer space for class plays or a map area or a quiet reading
area.
Rather than a factory, where workers' knowledge is always under attack,
the critical classroom is set up to test ideas in theory and
practice-as
individuals and as a group.
What Goes on Inside Your Brain?
Ask the kids if they have ever had a two sided conversation in their
minds.
"Well, if I do this, this will happen. But if you do, then other things
will happen too." Most kids have. Ask them to write the inner dialogue
of someone they are studying.
The Lewis and Carol Journal
Hey, wait! That was Clark, not Carol! Yes, but what if it was Carol,
instead?
What if women went along? Speculative retakes on history can always be
interesting. What if Hitler had not perseverated at Stalingrad? What if
Washington decided to be King, or if Custer had had the sense to get
lost
before the Little Big Horn, and run for president, or if the Communist
Party USA had decided not to build the CIO? More interesting to me is
to
look in history to discover how Sacajawea has been treated over time.
Each
to his own. Flights into fantasy are not necessarily diversions.
After Dinner Conversations
Have the kids study a character in depth, and prepare to join other
students
in a role play of an after dinner conversation. These need not be from
the same historical era. Wouldn't it be cool to see Einstein meet Tom
Paine,
Roseau, Mao, and Bakunin?
Plunk Your Magic Twanger, Froggie!
You may not remember the immortal Ghouldini of Parma, Ohio who
introduced
late-night monster movies on obscure tv channels. Your loss. The Ghoul,
a tasteless reprobate wearing a fright-wig and sun-glasses with only
one
glass, was plagued by a plastic frog that would leap out from behind
him
and mock him from time to time (plunking his magic twanger) during the
show. Froggie screaming, "Hi ya, Kids, Hi ya, Hi ya, Hi ya!" and
exposing
the Ghouldini as a fool. Invariably, at show's end, Froggie found
himself
being blown up by a cherry bomb in a toilet bowl-a sad end to a great
Frog.
This is not something you should do with children. (And,
actually the
Ghoul stole the bit from a 50's tv serial). But the vaudeville routine
can work well in classes. There are many vaudeville pieces that can be
sources of inspiration, like the Abbott and Costello bit, "Who's On
First?"
available in video stores everywhere.
Setting up a Ghoul-Froggie bit, say, with a politician giving
a speech
about family values, can be plenty of fun. Think of William Clinton
giving
spiritual guidance to the Surgeon General he fired. Well, of course do
not think about the substance of that interchange, but the form. It's
the form
that's the thing. Think of Froggie tormenting, say, Dan Quayle. You get
the drift, right? Who gets to be Froggie?
Circle of Responders
Everyone needs a response to writing and research. No one wants to be
kicked
about for doing it. So, set up a circle of responders, perhaps a group
of four, who share readings of each others' research work. One rule:
note
two good things for every criticism.
How Come That’s Funny?
You can start anywhere and go everywhere. For example, take a look at
an
old Harold Lloyd comedy. Is it still funny? How about an old Buster
Keaton,
a Charlie Chaplin, a Laurel and Hardy, an Abbott and Costello, then a
Martin
and Lewis? Then try a Beavis and Butthead, if you can get away with it,
or a South Park. How come this stuff is funny, if it is? Has humor
changed
over the years? How? Why? What is the social context of Chaplin’s
humor,
or Lloyd’s? Is there a relationship between economic conditions and
culture,
or what is the cultural milieu of South Park? For me, it doesn’t undo
fun
to unravel it. For some it is. You choose.
Every Trial is a Big Trial
It may be that the arena where citizens can use the widest range of
real
democratic rights (and conflict) in the US now is the court system. The
Southern Poverty Law Center has used the courts to bankrupt the Klan.
What
many people see as jury nullification in the O.J. Simpson trial caused
a national furor. The fact that two million people are now in US jails,
the highest per capita in the industrialized world, and the fact that
most
of those people are poor and had dubious representation, would seem to
indicate that questions of inequality penetrate the courts. Felons for
life are sometimes bicycle thieves, while Michael Milken, who bilked
retirees
of millions, served a few days and is now a stock advisor.
There is an infinite variety of trials to investigate,
possibly even
reenact-and plenty of film and paper archives too. You might want to
look
at the trial of the Wirtz, Commander of Andersonville, a southern
prison
camp, at the end of the Civil War. Or the Nuremberg trials which used
his
conviction as a basis for charging Nazi war criminals with crimes
against
humanity at the end of WW2. You could look at the Florida trials of the
El Salvadoran Generals, charged with abetting the torture and murder of
nuns in their country during a US funded anti-communist operation, in
November
2000, among the first so charged under an international law.
Investigate
the tragic trial of Joe Hill, an organizer for the Industrial Workers
of
the World, who was hanged after a trial in Utah in which the judge
refused
to allow him to fire his lawyer, who was pleading Joe guilty. Hill got
the death sentence, but not before he wrote to a pal, "Scatter my ashes
everywhere but Utah. I wouldn't want to be caught dead here." http://iww.org/.
Every trial is a big trial to those involved. Go look at the
local court
system in action. Be sure to see Small Claims Court, too. Or, if you
get
a ticket, take the kids. You could set up a system of redress for your
classroom too; but beware, kids can be harsh. The abused tend to abuse.
Marionette Plays
This works well in encouraging cooperative group work. It sweeps across
language arts, social studies, and encourages kids to see how stories
work,
in many ways. You can do this with shadow figures, using the light from
an overhead projector, or with puppets the kids make themselves. Kids
who
pay attention to detail, or learn to, can do a lot with this.
Follow the Money
Civics is often taught as if it took place in a fairyland, where
economics
never stands at odds with politics, where exploitation has nothing to
do
with democracy, or imperialism has no connection to missionaries and
the
Peace Corps. Investigating what is going on in fairyland, from the
school
board to the state legislature, is often a fruitful classroom activity.
Follow the money. get the contributions lists, the travel reports, the
Rolodexes and the daily calendars and the announcements for future
meetings.
Looking for cross-pollination of corporate positions, one fellow (sic)
will often sit on many-and the school board too. Make the natural
unnatural.
For example, remember that the reason there are bicameral legislatures
is because the propertied feared democracy, at the earliest days of the
US revolution.
Hey, What’s That Noise?
Taking away one of the senses is an interesting way to break, and
create,
enchantment. Take a tape recorder to a dairy farm, to a school, to a
Kmart,
to a social services office, a doctors’s office or hospital, a
restaurant
kitchen, a coffee shop, and make some tapes. Play them for the kids,
and
let them write a story about what they have heard.
History of Fairlyland
Nope, Snow White is not safe from critique. 'Jack Zipes has transformed
research on fairy tales from the superficial discussions of suitability
and violence to the linguistic roots and socialization function of the
tales. According to Zipes, fairy tales "serve a meaningful social
function
not just for compensation but for revelation: the worlds projected by
the
best of our fairy tales reveal the gaps between truth and falsehood in
our immediate society."After Zipes, no one can view a Disney rendition
with equanimity again.'
http://www.tc.umn.edu/~d-lena/Mythcon24%20Jack%20Zipes%20page.html.
Have kids rewrite the tales, as they have been written by
shifting social
relations over time.
Story Ladders and Story Boards
By the second or third grade (never underestimate them) many kids can
build
a story ladder or story board. The latter are simply drawings of the
key
sequences in a reading. In advertising, a story board is usually one
very
large board, broken into smaller squares. In each square, a key part of
the story is drawn, with related narrative or dialogue. Story ladders
can
be drawn, remarkably, like ladders, showing at each step, the title and
author, the key characters, the setting, the situation, the problem and
conflict, the resolution, and the reader's criticism.
Farmer Duck, the Story, the Book, the
Plan,
the Big Book
If you are unfamiliar with the kids’ book, Farmer Duck, go now to the
library
and read it. Then come back. Ready? So, you have read the Duck, what
some
call the Communist Manifesto for kids. Now, how might we expand on
that,
or any kids story, in a classroom? Well, to demonstrate the many
relationships
of stories, history, storytelling, and student agency; try this:
First, tell your kids the story of Farmer Duck, that hero of
all animaldom
who had nothing to lose but their Lazy Old Farmer. Let the story flow,
as it comes to you, from your memory of reading the book. Throw your
self,
your body, into it–and your voice and eyes and arms and legs. Then,
have
the kids discuss the story. What was this about anyway?
Now, take the book and read it to the kids, with all the
expressiveness
your denied stage-stardom can whomp up. Let the kids discuss this
reading,
noting that there are likely some differences with what you did in your
storytelling. Now, show the kids the stroke of genius you prepared late
last night, over that nasty cold cup of coffee: the print part of a big
book (for older kids, just give them the blank pages of the big book).
The print can be at the bottom of the pages of the big book, with
probably
2/3 of the page blank, but lined if you can get it.
Ask the kids if they would like to make their own book, and
illustrate
it. The print part is already done, but there is a lot of work still to
be done. There are illustrations for example, and choosing which way
things
will point, who will be represented, and how? If you can, get several
groups
of kids to work on different pages of the book. This will require that
they at some point gather as a planning group and prepare the entire
thing.
This will take some time, and struggle, but it makes a great
video tape
if you can detach enough time to do that as well.
Critique Tyranny
The celebrations of patriotism in most classrooms are witless.
Nevertheless,
most social studies educators gesture to the American Revolution as a
source
of inspiration. Unfortunately, under the lead of groups like the
National
Council for the Social Studies, the history of the bloody uprising
against
the King is muted by present-day calls to obey the law (part of the
MCSS’
“core democratic values” in Michigan) and to promote the national
interest.
Lost in all of that is the critique of tyranny that was the ideological
base motivating masses of people who risked their lives and homes to
kill
the British. (It is worthwhile to note that nearly the entire body of
African-American
leaders of NCSS quit the group in 1997, when, in a national meeting,
the
executive director of NCSS said, “This organization is not going to be
diverted by trivial questions about racism and sexism when we have
critical
business to conduct.”)
Aristotle, who believe that elites alone deserved the benefits
of democracy,
still addressed tyranny as a person,"responsible to no-one and
who
governs all alike with a view to his own advantage and not of his
subjects,
and therefore against their will. No free man can endure such a
government."
(From the Politics.) Aristotle’s early complaint, and its
contradictions,
still linger.
The critique of tyranny begins, at the same time, in two
places: criticism
of religious tyranny (absolute rule often girded by violence--
frequently
a velvet glove over an iron fist) and criticism of the denial of
property
rights. In revolutionary US society, the critique of property was aimed
at the monarchy–but spilled over into complaints about human rights as
well, like the right to not be kidnaped and forced into the monarch’s
navy.
On the one hand, people have consistently asked of their
world, “Isn’t
there more than this?” and responded to themselves that whatever more
there
might be must be in another world. Then an apostolic few offered to
interpret
just how to get to that other world, for a fee, and set up nearly
impassible
(often expensive) hurdles to make it. Along came critics, like Hegel,
who
analyzed in depth the alienation of people from nirvana, the ways
people
are set apart from not only the ways to understand and struggle toward
god, but from god him/herself. Hegel looked very carefully at the
processes
that history demonstrated, in his view, that moved people closer and
closet
to god, stripping the power of the priests. He was examining, not only
the reality of God, for him, but the ways history moves systematically
to bring people closer to God.
On the other hand, people have also objected, in revolutionary
ways,
to the material oppression that rises from inequality, rooted in unjust
property “rights,” (usually more precisely inheritance rights.) Marx
was
a scholar of religion who applied the religious critique of alienated
being
to the material world. He was able, then, to take Hegel’s analytical
scheme
called dialectics (the study of change) and apply it to the material
world.
This did more than turn Hegel upside down, it really was more like
turning
a balloon inside out. For Marx, then, was able to ask, “Why are we
separated,
alienated, estranged, from the central activity of our lives:work? Why
do people have less and less control over the processes of our labor,
nearly
no control over the products we make, and the more we do this, the more
we enrich the few people who profit from this great scam.” In brief,
Marx
was yelling, “Fraud!” at both the Pope and the Rockefellers. Bertell
Ollman
has a nice short explanation of this: http://www.richgibson.com/whatismarxism.html
The dual approaches to criticizing tyranny influenced the
great American
revolutionaries, from Thomas Paine to Tom Jefferson, and all in
between.
It was Jefferson, remember, who was calling for the Tree of Liberty to
be regularly cultivated with the blood of tyrants. To make the
revolution,
it was vital to motivate masses of peasant farmers with rhetoric about
equality and democracy, much of it heartfelt, even if it came from
slave-owners.
(When one considers property rights a key component of equality, one
can
rather easily believe that slaves, who are property, should have no
democratic
rights). However, when voting rights or democracy (not the same
thing)
have confronted property rights in the US, democracy usually lost. That
is the reason for bi-cameral legislatures, the electoral college, and
elaborate
voter registration procedures. The history of the Voting Rights Act (http://www.aclu.org/issues/racial/racevote.html)
is a history of this struggle. It is a telling fact that democratic
rights
do not exist, for the most part, at work.
An interplay of property rights and democracy is illustrated
by Henry
David Thoreau’s comment, “Political democracy is said to be the arena
on
which the battle of freedom is to be fought; but it surely cannot be
freedom
in a merely political sense that is meant. Even if we grant that the
American
has freed himself from the political tyrant, he is still the slave of
an
economic and moral tyrant.”
Now, how can all of this apply to a student in a US school in
the new
21st century? Rather than take this up as a distant historical memory
that
applies to no one but people with flintlocks, perhaps we can address
the
problem as a problem. and to bring all of the illuminating parts of the
social studies (history, geography, economics, political science,
psychology,
anthropology, sociology, etc.) to bear on it, each offering an new
insight.
For example, to see that there are answers in history that deal with
real
questions in school today, examine the relationship of the King to the
Colonist and the Principal and the Student Government. (For a fine
history
of the property/democracy struggle in the US, see Staughton Lynd’s Intellectual
Origins of American Radicalism, and Gordon Wood’s The
Radicalism
of the American Revolution.)
We can use the tools of psychology to answer the question:
“Why is it
that so many people do not notice injustice, and are willing to promote
it?” (Consider working class Nazis). Economics, the study of the
creation
and ownership of value (a key struggle of democracy, humanness and
property),
can assist in discovering not only where value comes from, but also why
it is that so few possess so much of it. Political science can address
the problem: “Why have government? Where does it come from? Is the
government
neutral, or a weapon of those who hold power/property?”
Double Dog Dare Ya
Unasked Classroom Questions
Here are some starter questions that few teachers are willing
to ask in serious ways.
- What is it to be free?
- Are we free? Are we free at work, at school, at play? If we
are not free: What would we need to know, and how would we need to know
it, in order to be free?
- Are there people among us who appear to be much more free
than others? If so, what is it that makes them
different? What do they have in common, worldwide?
- Who is less free? What elements do they have in common?
- Is freedom achieved through isolation, or friendly
connections with other people?
- If we are not free, in part because we are isolated from
each other, often in ways that we do not see (the
normalcy of segregated schooling), then what might we do to be more
free?
These questions rise from the Critique of Tyranny. This
critique has been applied to every society, ever since
the first food surpluses made inequality possible, and it became
possible to make an argument that separation
from others might be a good thing--in contrast to early societies where
those who behaved the most
collectively survived longest and best. The critique was the
interrogation of domination that, in ideas, forged
the US revolution. It is absent from most social studies textbooks.
The Critique of Tyranny leads to a question that can be asked
of any society, to judge it: How does this
society treat the majority of its citizens, invariably the workers, or
slaves, i.e., the common citizens, over time?
This reasonable question sweeps aside the notion that poisons
conservative forms of postmodernism, which
insist that there really is no rational way to judge any society, that
one society or social movement or idea might be as good as the next,
that all is mere viewpoint and, at the end of the day, maybe Mussolini
was not
such a bad guy after all.
Are teachers willing to ask these questions to students in
their classrooms, not of abstract distant societies, but
of their condition inside school? My experience is that most teachers
are not willing to seriously pose the issue,
in fear of lack of control.
Psychiatrist Robert Kaye says students in the world's
classrooms are not free, using a metaphor that suggests
that compulsory attendance laws make them "incarcerated." This would be
a good place to start. Are we here
because we want to be here?
Indeed, many teachers will insist that they live in a free
society. But they will also agree that they cannot probe
the question of freedom in school, or really speak their minds. The
Bill of Rights, for example, stops at the
door of most work places.
Here are some questions that students can work out themselves
to, perhaps, better understand the foundation
of most societies throughout history: The Master-Slave Metaphor.
In A Master-Slave Relationship:
- What does the Master want?
- What does the Slave want?
- What must the Master do?
- What must the Slaves do?
- How do Masters Rule?
- How do Slaves resist?
- What does the Master want the Slaves to know?
- What does the Slaves want the Master to know?
- What does the master want the slaves to believe?
- What does the slave want the master to believe?
- Is truth the same for the Master as it is for the Slaves?
- Who has the greater interest in the more profound truths?
- What mediates the relationship of the Master and the
Slaves-both in theory and practice?
- What elements within this relationship, as it exists,
provide clues to how the relationship might be changed?
- How will the slaves get from what is, to what they think
ought to be, without relying on magic?
- What will the Masters do in response to the struggles of
the slaves?
- Is it possible to end the relationship of Masters and
Slaves, or are people trapped within this forever?
- If people are not trapped in the Master-Slave relationship
permanently, and if they should actually overcome it,
what will preserve their common freedom?
References:
On Tyranny, by Leo Strauss
(the classic in the field)
History and Science for Boys
and Girls, by William Montgomery Brown (early success of friendly
connections, written in 1931)
Guns, Germs, and Steel, by
Jared Diamond
Phenomenology of the Spirit,
Hegel
Economic and Philosophical
Manuscripts, Marx (and all of the rest of Marx's work)
Alienation by Bertell
Ollman (why we are estranged from one another and how we might reason
our way out).
The Politics of Obedience, the
Discourse of Voluntary Servitude, Etienne De La Boetie
On Mussolini as a Kinder, Gentler,
Fascist, see the New York Times, 9/28/02 A17
Four-Squares
Form can impact how people feel about content. So can familiarity. The
British felt they had to call their new tank squads "cavalry."
Four-squares
is a game kids play in California. Here, it is something else.
Four-squares
are just a piece of paper folded so it has four sections, fold in half,
then fold again. Instead of asking the kids to write three paragraphs
on
whatever, ask them to make a book, a four-square, and in one section
write
their name and topic heading, what they did or analyzed on the second,
what they ascertained on the third, and how they savor that on the
fourth.
It's a diversion, artificial, but it seems to offset, "Do we gotta to
do
this?"
'Micro-Macro-Cosm
This is a tactic that creates a small group within the whole, a small
group
on display. Circle a relatively small group of students with the
remainder
of the class. Leave an open chair or two. The interior group is tasked
to engage a discussion about a given topic, while observers can move in
and out of the smaller group by briefly occupying the vacant chair(s).
Another way to do this is to have the class, in small groups, raise
questions
and take positions about a controversial issue, and then send delegates
into the interior group for a discussion.
The most powerful weapon in the hands
of the
oppressor is the mind of the oppressed.
Steve Biko, the South African activist who was murdered by the
apartheid
regime while he was in custody, said that. The next paragraph is from
David
Barsamian, a historian.
He’s quite accurate. Most oppression succeeds because its
legitimacy
is internalized. That’s true of the most extreme cases. Take, say,
slavery.
It wasn’t easy to revolt if you were a slave, by any means. But if you
look over the history of slavery, it was in some sense just recognized
as just
the way things are. Well do the best we can under this regime. Another
example, also contemporary (its estimated that there are some 26
million
slaves in the world), is women’s rights. There the oppression is
extensively
internalized and accepted as legitimate and proper. Its still true
today,
but its been true throughout history. That’s true in case after case.
Take
working people. At one time in the U.S. in the mid-nineteenth century,
a hundred a fifty years ago, working for wage labor was considered not
very different from chattel slavery. That was not an unusual position.
That was the slogan of the Republican Party, the banner under which
Northern
workers went to fight in the Civil War. Were against chattel slavery
and
wage slavery. Free people do not rent themselves to others. Maybe
you’re
forced to do it temporarily, but that’s only on the way to becoming a
free
person, a free man, to put it in the rhetoric of the day. You become a
free man when you’re not compelled to take orders from others. That’s
an
Enlightenment ideal. Incidentally, this was not coming from European
radicalism.
There were workers in Lowell, Mass., a couple of miles from where we
are.
You could even read editorials in the New York Times saying this around
that time. It took a long time to drive into people's heads the idea
that
it is legitimate to rent yourself. Now thats unfortunately pretty much
accepted. So that’s internalizing oppression. Anyone who thinks its
legitimate
to be a wage laborer is internalizing oppression in a way which
would
have seemed intolerable to people in the mills, lets say, a hundred and
fifty years ago. So that’s again internalizing oppression, and its an
achievement.
What might that have to do with teaching, the struggle over
what people
know and how they come to know it?
Rewriting Textbooks
If you lack the power to throw out the textbook, rewrite it with the
kids.
Let assigned groups of kids review particular sections of the text,
review
what is said, and how it is said, and apply good question to what is
going
on (see questions for criticism on my www page). Then let the groups
report
out, and rewrite the book. http://www.richgibson.com/QUESTCRI.html.
Culture Jammin’
An appreciative “Thanks,” to Bill Boyer for this one, in sincere hope
that
he gets tenure. Culture jammin’ inverts, turns inside-out,
cultural
artifacts like Joe Camel ads, or Coke ads, or your choice from the
deluge
that is poured upon children in school. For example, take any kids
magazine
and give students the opportunity to hold it up to ridicule by creating
their own counter-advertisements which they may be able to post around
the school–even for a moment. One group of students focused on how Joe
Camel might look with skin cancer, and did some art work to accompany
their
effort. The called him “Joe Chemo.”Another group did some poster- ads
for
the cafeteria food, which you can imagine. Yet another examined the
relationship
of Coke (which had a contract with their school) and tooth decay, and
did
some graphic counter-advertising about that. The possibilities for
extensions
are limitless.
Informational Picketing
This is less risky than it sounds, but it is wise to know your
community.
Informational picketing can be in favor or something, or against it.
"Clean
the wetlands,"or, "Don't die, don't smoke," etc. Show the kids how to
make
a placard or picket sign, assuming the background research is done,
etc.
Sham Interviews
Kids seem to love this, especially the precocious pre-Barbara Walters
set.
Kids then need to do background research on their characters, and to
create
great questions to make the interview go forward. See also, the CBS
Edward
R. Murrow series, "You Are There." This was one of the most popular TV
news programs in history. Murrow's commentary eventually was key to the
ruin of fascist Senator Joe McCarthy. Take a look at his work as a
guide
superior to Walters'.
Reification is Forgetting
Reification is turning a human construction into an uncriticized icon,
allowing what seems to be normal to limit investigation–and then
allowing
that normalcy to become oppressive. A high-point of reification
might
be a plastic Jesus, a human construction which not only locates a
better
world in death, but offers strict rules of normalcy in life. But here
are
two better examples:
As I write here in San Diego, California is in the midst of a
series
of power blackouts that have stretched across the state for two weeks.
Predictions are that the outages will continue for a year–in the
richest
state of the richest country in the history of the world. Mainstream
press
reports limit the exploration of this crisis. On the one hand, they
fail
to investigate where it is energy-power comes from (the
combination
of all the inter-related process of the natural world; water power for
example) and on the other hand, they ignore the interconnection of
natural
forces with labor and technology (the Hoover damn and publicly
funded
research) going back hundreds of years. Normalcy, then,
eliminates
the idea that electricity is the product of natural forces that it
makes
no more sense to privately own than air, and eliminates the history of
labor and struggle that rationally cannot be possessed by a few. It is
“normal” that electricity should be owned. Normalcy forgets. A
teacher’s
task is to assist others in remembering, and to create the wonder that
goes along with knowing that somebody wants things forgotten–or gains
from
forgetting. There are plenty of history texts that explain the
background
of the crisis, beginning with Carey McWilliam’s classics. They don’t
turn
up in the San Diego Times Union.
Consider the grocery store in an urban area. How come it looks
like
that–a huge parking lot with a building set far back from the street
and
sidewalks–hundreds of square yards of space that could be profitable
simply
lost to auto storage? The answer is in history, a history I thank my
friend
Paul for helping me to re-see.
Grocery stores are, like all businesses, there to make a
profit. The
struggle over their profits has been intense. Consumers want lower
costs
and sometimes shop competitively. Suppliers want their piece. The
work-force
in a grocery store has some advantages in controlling their work place:
the employer cannot completely leave, go to the third world, although
the
employer can go to the suburbs. The routes into and out of the grocery
store can be somewhat controlled by workers if, for example, unity can
be built between the Teamsters who deliver goods, and the Food Workers
who work in the store. This explains why, in California and Michigan
for
example, grocery workers remain unionized in an era of union collapse,
and why, where the unions have resisted, they are fairly well-paid.
But why the geography of the modern grocery store with that
huge parking
lot? Well, of course there is our society’s reification of the
automobile,
which became the normal mode of transportation in only the last fifty
years.
But there is a deeper reason. The parking lot does not have to be where
it is. It could be behind the store, with the storefront on the street.
But it could not be there if the employer wanted to be sure to be able
to control entrances and egresses, on the chance of employee picketing,
informational or otherwise. The reason for the geography of the grocery
store is an intersecting history of the struggle of workers, bosses,
and
modern transportation, a history that needs to be noticed, and
remembered.
Now, why does your school look like that?
We Gotta Get Outa This Place
There is no particular reason to be trapped in a school. Teachers have
bargained all kinds of long-term moves elsewhere. For example, you
might
be able to turn a problem of school overcrowding into a good thing:
suggest
that your classroom be moved to a local museum for the year. Spending a
year wandering around a museum with some reasonable guidance ratchets
up
kids vocabulary, world view, sense of history, and their literary
skills.
You could also move to a library, using their community rooms, or to a
gym. A year out of ‘school’ can create a better kind of schooling. See
the records of the Schools in The Park program in San Diego.
Storytelling
This is an art. The way to people's minds is through stories. Much of
Christian
organizing is based on this thesis. Storytelling should involve the
soul
and the head, as does everything, but more obviously so. Have the kids
story board (chart out) a story they choose, or one they make up.
Invite
a storyteller to class as a model (they are all over the place). Work
on
volume, eye contact, etc. Show' em the pictures! http://falcon.jmu.edu/~ramseyil/drama.htm.
Mock Legislative Hearings
Legislative hearings can demonstrate all the powers of interest groups,
not just a debate between senators, and should reflect not only the
power
of debate, but of the conflicting relationship between those who have
the
people and those who have the money. While mock is meant here to mean
"play,"
parodies are always good. They require both a sound understanding of
the
point to be made, and humor. People will not laugh hard, though, unless
they agree with the politics.
Duration Lines
Start with the kids lives. Let them construct the time lines of their
lives,
and make a length-chart of them. That means not only selecting
important
events, but deciding how much space those events will be allocated. Go
home and discover ten things that happened to you since you were
born-and
when they happened. Then work with them to chart those events.
Fly Me to the Moon
Most nine-year-olds probably know more about astronomy than I do. Even
so, there is no better way to show how the basics of geography work
than
by setting up the entire universe in your classroom. You can do the
beginnings
with just a few kids–and a little space after you clear away some
desks.
Have one child be the sun, full of pulsating energy (do not pick the
child
who is already full of pulsating energy). Another kid is the earth,
spinning
and rotating around the sun. Another kid is the moon....and before you
know it–space travel, longitude and latitude, and the transformation of
the dinosaurs. Use you imagination.
Surveying for Surveillance
This is like counter-spy vs spy. Children are under constant
surveillance,
more so in the US in the 21st century than ever before. The
cameras, organized supervised games, metal detectors,
stop-and-freeze-when-I-blow-the-whistle
routines, daily reports, etc., are now part of normalcy. So, part of
the
job of social studies is to expose and unravel what is normal, and then
wonder if it is. Have the kids take a look at who is watching them,
when,
how, and why. Wonder, do we really need to be so noticed, seen, heard,
recorded? A geographical map of child surveillance can prove
interesting.
You peek at me. I peek at you. Surprise. Peek-a-boo.
"I
ain't the worlds
best writer nor the worlds best speller,
But when I believe in
something I'm
the loudest yeller."
--Woody Guthrie (1950)
Blues shouting, chants-and-response, gospel choirs, Good Golly Miss
Molly,
folk singing, John Coltrane; all are signals of the unity of the mind
and
body, of sound and silence, of the affective and cognitive. And all
have
substance in political economy (what is the reason we now have
color-coded
radio stations and rating charts?), in the study of domination and the
arts of resistance ("Follow the Drinking Gourd"), and the tenor of the
times. No study of the twenties without jazz, no study of the sixties
without
the outrage of Little Richard, and one goes right to the other.
Consider the politics of, "This Land is Your Land, this Land
is My Land,"
by Woodie Guthrie and ask if that is better than the current national
anthem
(there was a congressional debate about it). Songs have always been
concerned
with history and society, and reflected/recreated what they portray.
Take
for example the song, "Bread and Roses," http://www.breadandroses.com/real.audio.1.html.
This brilliant, moving, powerful song came out of the strike of women
textile
workers in Lawrence Mass, the first major strike in US history that was
won. An investigation of the Bread and Roses strike, which leads to
song
writing, play writing, little newspapers, etc., could be a momentous
class
event. Here is a song:
Solidarity Forever
Written by Ralph Chaplin, Jan. 1915
Tune: "John Brown's Body"
When the Union's inspiration through the workers'
blood shall
run,
There can be no power greater any-where beneath the sun;
But what force on earth is weaker than the feeble strength of
one?
But the Union makes us strong!
Chorus:
Sol-i-dar-i-ty for-e-ver,
Sol-i-dar-i-ty for-e-ver
For the Union makes us strong.
Verse 2:
Is there aught we hold in common with the greedy
parasite,
Who would lash us into serfdom and would crush us with his might?
Is there anything left to us but to organize and fight?
For the Union makes us strong. (CHORUS)
Verse 3:
It is we who plowed the prairies; built the cities
where they
trade;
Dug the mines and built the workshops, endless miles of railroad
laid;
Now we stand outcast and starving midst the wonders we have made;
But the Union makes us strong. (CHORUS)
Verse 4:
All the world that's owned by idle drones is ours and
ours
alone.
We have laid the wide foundations; built it skyward stone by
stone.
It is ours, not to slave in, but to master and to own.
While the Union makes us strong. (CHORUS)
Verse 5:
They have taken untold millions that they never
toiled to earn,
But without our brain and muscle not a single wheel can turn.
We can break their haughty power; gain our freedom when we learn
That the Union makes us strong. (CHORUS)
Verse 6:
In our hands is placed a power greater than their
hoarded gold;
Greater than the might of armies, magnified a thousand-fold.
We can bring to birth a new world from the ashes of the old
For the Union makes us strong. (CHORUS)
Here is the Little Red Songbook: http://www.bloomington.in.us/~mitch/iww/lrs.html
Here is a song from eighty years later by Rage Against the
Machine:
War Within a Breath
Every official that come in
Cripples us leaves us maimed
Silent and tamed
And with our flesh and bones
He builds his homes
Southern fist
Rise through tha jungle mist
Clenched to smash power so cancerous
Black flag and a red star
A rising sun loomin over Los Angeles
Yes for Raza livin in La La
Like Gaza on to tha dawn Intifada
Reach for the lessons tha masked pass on
Seize tha metropolis
Its you its built on
Everything can change on new years day
Everything can change on a new years day
Everything can change on a new years day
Everything changed on a new years day
Cmon
War within a breath
Its land or death
War within a breath
Its land or death
War within a breath
Its land or death
War within a breath
Its land
Their existence is a crime
Their seat, their robe, their tie
Their land deeds
Their hired guns
Theyre tha crime
Shots heard underground round the rapture
Worlds eye captured
At last is a Mexican pasture
Tha masked screaming land or deathWithin a breath
A war from the depth of time
Shot four puppet governors in a line
Shook all tha world bankers
Who think they can rhyme
Shot the landlords who knew it was mine
Yes it's a war from the depth of time
And everything can change on a new years day
Everything can change on a new years day
Everything can change on a new years day
Everything can change on a new years day
Cmon
Uh
Wearin the masked scream
War within a breath
Its land or death
War within a breath
Its land or death
War within a breath
Its land or death
War within a breath
Its land or death
Its land or death (whispered)
Yeaaaaaah
Uh
Cmon, cmon, yes, yes, yes
Its war within a breath
Its land or death
War within a breath
Its land or death
War within a breath
Its land or death
War within a breath
Its land or death
Methods
for Social Studies PAGE 1
Methods
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